Monday, August 11, 2008

Will Ferrell, Adam McKay, and John C. Reilly...

Step Brothers
Release: 08.01.08
Rated R
1 hour, 35 minutes

Matinee ($$$) <
>Second-Run Seats ($$)

"You gotta fuck one, kill one and marry one, go!" That's just one of the plethora of utterly asinine exclamations from the minds of the three gentlemen pictured above. It's also a question I found myself asking as I pondered my feelings for Step Brothers.

But I digress. If you don't know, Step Brothers is the story of Dale Doback (John C. Reilly, Walk Hard) and Brennan Huff (Will Ferrell, Kicking & Screaming). They are two forty-year-old men (and presumed virgins) whose respective father and mother, played by Richard Jenkins (Say It Isn't So) and Mary Steenburgen (Elf), get hitched. That in itself should be a happy event, except Dale and Brennan still live with their parental units. Now the duo must learn to share the spoiled spotlight. Hijinks and hilarity ensue; at least, that was the plan.

The answer to my question is no contest: fuck John C. Reilly, kill Adam McKay and marry Will Ferrell. Why? I love Reilly and he's almost the marrying type. He's a multi-talented actor of stage and screen. He's given great performances both serious and ridiculous (this one the latter) but let's face it, he's been working his way up the stardom ladder for a long time and is used to a good pounding. Plus, he looks all plush and pliable. He loses the ring to Will Ferrell who, career-wise, is a consistent treat to watch. He can play the hell out of the cowbell and he just looks like a cuddler. I'd kill Adam McKay because I feel he's the Rob Schneider of the partnership. I always thought Chris Kattan was going to ride Ferrell's coattails into adequate stardom, but it's becoming increasingly apparent McKay is the leech.

Anchorman and Talladega Nights were really, really parts. Step Brothers made me burst into laughter as Reilly described his young-calf machismo and as Ferrell 'tainted' Reilly's drum set. I sat back snickering as the Shake-n-Bake duo tossed ad libbed insults across their shared bedroom. Then I stopped laughing. McKay's SNL writer-director skills surface as he draws out this three-minute skit into an awkward sequence of randomness. Problem is, this concept is threadbare and frayed when stretched over the film's ninety-minute runtime. In fact, when Step Brothers takes on the semblance of a plot in the final act, the stench of SNL randomness pervades its resolution like an onion and ketchup fart.

Dirty Undies
Reilly and Ferrell have a knack for two things in Step Brothers: bruise-inducing physical comedy and Tourrett's-induced exclamations of profanity and vulgarity. Wifey finds it disturbing yet comical when I string together random words like 'vaginal discharge' and 'monkey tits,' but I got nothing on these guys. Reilly's Dale experiences sexual situations that are more disturbing than amusing. Ferrell breaks out the huevos for all to enjoy - hmm, I wonder if flashing those gave him that marrying edge?

The Money Shot
Step Brothers has enough funny moments to make it watchable, but be prepared to suffer through dangling plotlines, sloppy edits, and a cameo from the excruciatingly painful Horatio Sanz (Road Trip) trying to jump the sinking Fallon ship. They do sport some cool retro tees, even if the Star Wars one is overused. Let me close with a quote from Will Ferrell, "In the galaxy of This Sucks Camel Dicks." Yeah, take that as you will.

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  1. I'd have to marry Reilly, fuck Ferrell, and kill McKay. I saw them all on Charlie Rose, McKay looked like a drugged-out crazy persons, twitching and moving around for an hour straight. Weird guy.


  2. I'm glad I'm not the only person getting that weird guy vibe off McKay.