MMM: What Is Music Like?

I hope everyone had a good Easter weekend. Mine was nice except I realized we're nearly at the end of April! Fingers crossed May will move a little slower; yet even as I write that statement, I know it won't be so. If we want to enjoy what lies ahead, you'll just have to make the effort yourself. It's like Ferris always says, "life moves pretty fast. If you don't stop and look around once in a while, you could miss it."

Thanks to Fletch over at Blog Cabins, one thing I didn't miss out on was seeing Hanna in theaters. Movies like this remind me I need to slow down and tout how good they are. One thing that makes Hanna such a good film is how well the soundtrack by The Chemical Brothers works with the scenes. While you wait for my review, why not enjoy an awesome clip from Hanna set to one of the brothers' block rockin' beats.

The Chemical Brothers - Escape 700 

(from the Hanna Soundtrack)

Hanna Clip by teasertrailer

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MMM: Whistling 'Zip-A-Dee Doo-Dah'...

Stargazers, can you believe September is right around the corner? What's even harder for me to believe is that in less than a month it will have been a year since I let the doctors get a hold of me. After all their slicing, dicing and watch-leaving, I had four long months of recovery and then BAM! it was back to the daily grind. Since February, movies have been my primary source of diversion. That is until now. Reel Whore is headed to DragonCon for my first vacation since July '08!

As I sift and sort my way through the massive tome the Con calls the Pocket Guide, I can't help but hum the only tune appropriate for an exciting road trip. Oh yes, as a child molded by eighties movies, this Monday Mood Music selection encapsulates the giddiness building within me. I can only hope I experience nothing as disheartening or frustrating on my excursion as Clark Griswold did driving the Truckster cross country in National Lampoon's Vacation.

I don't know about you, but Holiday Road is one helluva fun song. I always associate this song with Chevy Chase and the hilarious hi jinks of the Griswolds. Until today I never knew it was performed by Lindsey Buckingham of Fleetwood Mac. I also never knew it had one of the most boring music videos ever. The blank faces, foggy background and red lighting tries to suck the peppiness right out of the song. If you don't know what I'm talking about, here's your chance to see Holiday Road in a whole different light:

Holiday Road - Lindsey Buckingham

...Praise Marty Moose! Holy Shit!

My Blah-berry Night

My Blueberry Nights
Release: 04.04.2008 limited
Rated PG-13
1 hour, 30 minutes

Second-Run Seats ($$) <
> Matinee ($$$)


In her film debut, Norah Jones stars as Elizabeth (a.k.a Beth, Lizzie, Betty), a young woman who learns from local cafe owner Jeremy (Jude Law, The Holiday) that her boyfriend is seeing another woman. Night after night Elizabeth visits the cafe; at first, to sulk and skulk over her man, but eventually to eat blueberry pie and fraternize with Jeremy. Seeking answers, Elizabeth leaves New York for Memphis where she takes up waitressing at a bar and a diner to save for a car. She meets kindred spirits in Arnie (David Strathairn, Blue Car) and Sue Lynne (Rachel Weisz, The Shape of Things). Her next serving gig leads her to the Midwest and the wild Leslie (Natalie Portman, Closer) who furthers her quest for answers and an affordable automobile.

Let me start by chiming in on my familiarity with writer-director Wong Kar Wai's work. I have seen three of his previous films: Fallen Angels, In the Mood for Love, and 2046. Without a doubt, In the Mood for Love is my personal favorite and his strongest work. My Blueberry Nights...not so much. Wong Kar Wai has a very stylized direction full of vibrant colors and languid, savory scenes. All those films also revolve around relationships and love, time and distance. But watching My Blueberry Nights was off-putting. I compare Wong and his latest work to Tony Scott, another very stylized director who reached near perfection with the dark and manic Man on Fire only to overindulge, making Domino an incoherent, epileptic seizure. Wong took his palette of slow-motion shots and radiant hues and applied them with a paint roller, resulting in a film that fails to maintain its hold on viewers.

Norah Jones likewise fails to draw you in at every emotional level. Granted, for her first film role, she proves herself far more adept than many other singers-turned-actors (cough Beyonce cough). However, she didn't convince me when stronger emotions were required, leaving this sensitive piece lacking. Singer Cat Power ,a.k.a Chan Marshall, also makes a cameo that is likewise strained. But Jones' other costars all performed admirably. In particular, David Strathairn's sympathetic and unstable Arnie deserves a nod for best performance. The only thing more memorable than the performances is the soundtrack; a hauntingly perfect mood for the film.

Dirty Undies
If you didn't notice, the beautiful pedigree of the cast is worth the price of admission alone and probably is why I nudged this film towards the Matinee rating. Norah Jones just looks adorably soft and scrumptious. Jude Law with his effortless charisma is magnified with a layer of scruffy stubble. I was nearly ready to tap out of the film until Natalie Portman appeared in the final half hour. She literally lights up the screen with her smile, her presence and short fire-like curls of blonde hair. Even Rachel Weisz, whom I don't normally go for, was in an especially sexy way. Take a gander:

(Oh Natalie...)

The Money Shot
My Blueberry Nights is a very vivid and visual emotional journey. It's also an excellent case for when style outweighs the substance of the work. If you find this phenomenal, your head just might explode from elation when you see In the Mood for Love.